sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)
Remember how Hesiod and Teiresias were each given initiation presents by their initiators? I just realized that apparently Teiresias traded his staff of cornel-wood for one of gold when he left his mortal body behind:

ἦλθε δ’ ἐπὶ ψυχὴ Θηβαίου Τειρεσίαο
χρύσεον σκῆπτρον ἔχων, [...]

Then the soul of Teiresias of Thebai came to me,
holding a golden staff, [...]

(Odusseus speaking. Homer, Odyssey XI 90–1.)

This made me wonder about other heroes' god-given gifts, and what happened to them after their quests. Here's a short list I made from memory, though I am interested to find others:

  • Hermes and Athene gave Perseus a vorpal sword and mirror shield, which he returned after his quest.

  • Athene gave Bellerophon a golden bridle to tame Pegasus, which went to Zeus after Bellerophon died.

  • Athene gave Teiresias a cornel-wood staff, which he apparently traded for a golden one when his soul went to Haides.

  • Hermes, Apollon, Hephaistos, Athene, and Athene again gave Herakles a sword, a bow and arrows, a breastplate, a πέπλος "dress," and a lock of Medousa's hair in a bronze jar. The jar was given to Sterope, who used it to defend Tegea from the Argives; the bow was given to Philoktetes, who used it to kill Paris at Troia; of all the items, nothing further is said.

  • Hephaistos gave Akhilleus a panoply, which became the property of Odusseus, and evidently ended up at the bottom of the sea (returning to Thetis, who asked Hephaistos for them?).

  • The White Goddess gave Odusseus her κρήδεμνον "head-tie," which he returned after swimming to the land of the Phaiakians.

  • The Muses gave Hesiod a laurel staff, of which nothing further is said.

Because the quest is "immortality" (e.g. ascending to a greater-than-human life), each of these are representative of god-given capacities that an initiate is to master to complete the quest, after which they are returned since they are of no further use in the upper world. For example, of Perseus's gifts, Hermes's sword is discrimination and Athene's shield is reflection, both essential tools of the initiate.

But there are three exceptions, and I am curious about them:

  • All of the gifts are either returned to their owners or left behind for others to use in their own quests, except for Teiresias's, which is instead perfected.

  • All of the gifts are coded masculine (arms, armor, phalluses, etc.) except for Athene's dress and the White Goddess's hair ribbon or headscarf, which are coded feminine.

These exceptions are worth consideration, I think...

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

Hmm. Herodotos says (Histories I §131) of the Persians,

They call the whole circle of heaven Zeus [e.g. Ahura-Mazda], and to him they offer sacrifice on the highest peaks of the mountains; they sacrifice also to the sun and moon and earth and fire and water and winds.⁠ These are the only gods to whom they have ever sacrificed from the beginning.

Of course we see Empedokles's four roots there. There's just one problem: Empeokles was contemporaneous with Herodotos, writing about the same time as him. (They both lived in what is now Italy, but in different regions: Empedokles in Sicily, and Herodotos in what is now Calabria.)

So here we have another source referencing the same doctrine at the same time as Empedokles. This is another argument in favor of my hypothesis that the four roots did not originate with him, but that he learned them from the Pythagoreans, who learned them from Pythagoras. Where did Pythagoras get them? I had made the case that he got them from the Egyptian mysteries on the basis of deific and symbolic associations, and that's plausible, but then—assuming Herodotos isn't misleading us—it suggests that the Egyptians similarly influenced the Zoroastrians.

On the other hand, Pythagoras is said to have studied with just about everyone (including the Persian magi, though how he had time for it after spending 20 years in Egypt is anyone's guess), and so it's possible that the Greek doctrine of the roots came from the Persians. But then it's a remarkable coincidence that these line up so nicely with the Egyptian teachings which apparently predate Zoroastrianism (or even Mazdaism) by at least a millennium.

Alternatively, it could be that the four roots were generally current in the spiritual milieu of the time, and Empedokles was simply the first to write it down. (This wouldn't be too surprising, since Empedokles was expelled from the Pythagoreans for doing so, meaning that it was a secret teaching.)

Whichever of the cases is true, I think we can be reasonably confident that the teaching didn't originate with Empedokles.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

I wonder if we have a conflation of historical and mythological in the accounts of Hyperborea.

Diodoros of Sicily tells us (Library of History II xlvii) that Hyperborea is an island larger than Sicily north of Celtia, noting that Leto was born and Apollon peculiarly honored there. He says that the moon is much closer there, so much so that one can even see the mountains on it.

Bakkhulides (Ode 3) tells us that King Kroisos of Ludia, when his city was besieged, set a pyre for himself and his family, but that Apollon put out the pyre and took he and his family away to Hyperborea on account of his piety. Herodotos (Histories I §87) gives a more mundane account, recognizing the rescue of Apollon but simply saying that he became the slave of Kurus the Great.

We see in the contrast of Bakkhulides and Herodotos a sort of mundanizing of the mysterious: what to Bakkhulides is a spiriting away is merely the learning of a lesson to Herodotos. I wonder if we see the same in Diodoros: was Leto's Hyperborea originally a purely mythic place, which was later conflated with a more mundane "Hyperborea" by Diodoros? This would at least be no surprise, as Diodoros explicitly mentions his indebtedness "to those writers who have composed universal⁠ histories" (referring certainly to at least Herodotos), and thus he might be expected to follow Herodotos's historicizing tendency.

If this is so, it is perhaps mistaken to think that Apollon came to Greece from the literal, physical island of Britain; one might presume that the Hyperborea is "beyond the north wind" in a metaphysical sense, thus perhaps linking it with Ploutarkhos's middle world (related, as we are told, from people beyond Britain, who also describe the geography of the lunar surface); that is, the world where we go after the first death but before the second; that is, the world of Water.

This is all to perhaps lend weight to the arm of the scale which holds that Apollon simply came from beyond the sensible world to offer those of us poor mortals who cry for help in this dark world of Earth a faster way out than the usual should we require it.

Mnemosune

May. 8th, 2025 08:02 am
sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

A man decays
His corpse is dust
His family dies
But his books live on

(Chester Beatty Papyrus IV, as translated by Susan Brind Morrow.)


The tao that can be told
is not the eternal Tao.
The name that can be named
is not the eternal Name.
The unnamable is the eternally real.
Naming is the origin
of all particular things.

(Laozi, Tao Te Ching I, as translated by Stephen Mitchell.)


Its definition, in fact, could be only "the indefinable": what is not a thing is not some definite thing. We are in agony for a true expression; we are talking of the untellable; we name, only to indicate for our own use as best we may. And this name, The One, contains really no more than the negation of plurality: under the same pressure the Pythagoreans found their indication in the symbol "Apollo" [a=not, pollon=of many] with its repudiation of the multiple. If we are led to think positively of The One, name and thing, there would be more truth in silence: the designation, a mere aid to enquiry, was never intended for more than a preliminary affirmation of absolute simplicity to be followed by the rejection of even that statement: it was the best that offered, but remains inadequate to express the Nature indicated. For this is a principle not to be conveyed by any sound; it cannot be known on any hearing but, if at all, by vision; and to hope in that vision to see a form is to fail of even that.

(Plotinos, Enneads V v "On the Nature of the Good" §6.)


Gutei raised his finger whenever he was asked a question about Zen. A boy attendant began to imitate him in this way. When anyone asked the boy what his master had preached about, the boy would raise his finger. Gutei heard about the boy's mischief. He seized him and cut off his finger. The boy cried and ran away. Gutei called and stopped him. When the boy turned his head to Gutei, Gutei raised up his own finger. In that instant the boy was enlightened.

(Wumen Huikai, The Gateless Gate, as translated by Nyogen Senzaki and Paul Reps.)


To write something and leave it behind us,
It is but a dream.
When we awake we know
There is not even anyone to read it.

(Ikkyu.)


I have never understood Memory. Why should one wish to remember or be remembered? The earth is not a place of Memory, it is a place of Forgetting, and it is by Forgetting we become unearthly. Isn't it?

And yet the "Orphic" tradition highly prizes Memory: Hesiod was initiated by her daughters; Homer urges the initiate to remember everything; Pythagoras's prior incarnation, Aithalides, so prized Memory that it was the one gift he asked of Hermes (Apollonios Rhodios, Argonautica 640 ff.; Diogenes Laertios, The Lives and Opinions of Eminent Philosophers VIII iv); the Delphic god says "Know Thyself;" the Orphics and Platonists emphasize drinking from her pool rather than the stream of Forgetting; the Orphic Hymn to Memory goes so far as to say that it is wicked to forget. But Memory is a thing of the world below: God has no Memory, it simply Is; even Souls have no Memory, they merely survey the entire sweep of their great Life as attention requires.

Memory is, perhaps, simply a paradox. There is nothing that can be said, and yet where would I be if they didn't try?

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

There is a lot of overlap between the Mysteries and the Epic Cycle:

# Epic Cycle Horos Orestes
1 Kupria Seth holds a feast. The wedding of Peleus and Thetis.
2 Kupria Seth kills Osiris, seals him in a box, and drops the box in the Nile. The judgement of Paris.
3 Kupria The box lands at Bublos. A heather stalk grows around the box. Malkander takes the heather stalk into his house. The rape of Helene.
4 Kupria Isis wanders. Nephthus exposes Anoubis. Isis finds Anoubis and takes him as her attendant. Gathering of the armies. Agamemnon sacrifices Iphegenia, but Artemis replaces her with a deer, makes her immortal, and takes her as her attendant.
5 Isis tracks Osiris to Bublos, sits by a spring, and weeps. Astarte invites her into her house. [cf. 10]
6 Kupria Isis kills Astarte's youngest son. Failed first war on Troia. Troilos dies.
7 Ilias Isis takes Diktus as her attendant. Akhilleus commits to dying at Troia.
8 Isis recovers Osiris. [cf. 11]
9 Aithopis Isis kills Diktus for his curiosity. Paris kills Akhilleus.
10 Ilias Mikra [cf. 5] Troian horse.
11 Iliou Persis [cf. 8] Troia sacked. Menelaus recovers Helene.
12 Nostoi Isis returns to Egypt. Seth divides Osiris into fourteen pieces. A fish eats the penis. Isis recovers the pieces and reassembles Osiris. The Akhaians are scattered but eventually return home, except Aias (who dies at sea), Menelaus and Odusseus (who are lost at sea), and Agamemnon (who is assassinated by Aigisthos and Klutaimnestra).
13 Odusseia Isis draws Osiris's essence from his corpse and gives birth to Horos. When Horos grows up, Osiris trains him from Duat. Horos beheads Isis, is judged by the gods, defeats Seth, and becomes king. Orestes flees into exile. When Orestes grows up, the Puthia tells him to avenge his father. Orestes kills Aigisthos and Klutaimnestra, is chased by the Erinues, is judged by Athena, and becomes king.

(I have omitted the Telegoneia as it concerns Odusseus and not Orestes, who is a different hero.)

If my associations are correct, then Osiris=Helene, Isis=the Akhaian host (e.g. those oathbound to Menelaus, notably not including Akhilleus who was too young to woo Helene), Seth=Eris, Anoubis=Iphegenia, Bublos=Troia, Astarte's unnamed son=Troilos (and the first Troian war generally), Diktus=Akhilleus (and the second Troian war generally), Horos=Orestes, Osiris as a jackal=the Puthia, Seth as a red bull=Aigisthos, the council of gods=the Athenian jury.

The only difficulty, really, is that it is Osiris that is divided up upon his return to Egypt and not Isis, whereas it is the Akhaians who are divided up on their return to Akhaia (and not Helene). This is a really significant symbolic difference and is necessary for the two narratives to work. From the pattern in the myth, Agamemnon should presumably have to be Osiris's penis, which I guess shouldn't be too surprising, since anybody who's read the Iliad can tell you he's a dick.

Despite that problem, though, the stories are so close there must be something to it. I still don't have a convincing thesis for what's going on here; I'm presently wondering if the version of the Horos-myth we have is, in fact, late and Syrian (presumably the oldest versions of the Horos-myth don't involve Bublos)—in which case it could have been influenced from both sides of the Mediterranean. I'm going to need to go over the Pyramid Texts with more care, I think...

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

And while I'm at it, I'll leave you all with a question I've been pondering.

I'm pretty convinced that many of the hero myths and mystery cults in Greece are derivative of those of Horos: they line up too nicely to be a coincidence, in my opinion, and the Greeks themselves say they came from Egypt. There's just one outlier, and to my mind it's such a huge one that it dismantles much of my thesis that the Greeks got all this from Egypt.

Apollon.

While all of his symbolism is identical to Horos's, and while (early, Delian) Apollon's family relationships match up with those of Horos (Zeus=Osiris, Leto=Isis, Asteria=Nephthys, Artemis=Anubis), that's about it: Apollon's myths don't have a Seth-equivalent and don't form a coherent story-arc like the hero myths do (rather, telling a variety of disconnected stories, somewhat like the early Gilgamesh tales before they were compiled into the Epic).

There is also the insistence that Apollon came to the Greeks from Hyperborea, far to the north, this being the birthplace of Leto, the winter home of Apollon, the home of Abaris (his favored priest), etc. etc. (Diodoros of Sicily, Library of History II xlvii)

So while all the Greek heroes seem to be Horos, the Greek hero-in-chief conspicuously does not and seems to come from somewhere to the north. Supporting this, there are rumors in channeled and alternative-history sources that say that the Iliad took place in northern Europe and came to the Aegean along with "the sea peoples" who displaced the Mycenaeans, and these same sources are ones that indicate that what we know as Egypt began as an Atlantean colony or refugee settlement. This is notable since I have speculated (on the basis of the symbolism) that the Horos-myth could be a reaction to the Atlantean civilization; if that's so, it's of course noteworthy that Egypt isn't the only place with literally monumental religio-scientific structures beyond the capability of neolithic societies.

So what are we to make of this? Did the Egyptians get Horos from somewhere else? Is Hyperborea a strictly mythical (rather than historical) location? Are Horos and Apollon two parallel branches of some third source, now lost and/or obscured? What, if anything, does all this have to do with Atlantis?

I guess if there's any takeaway, it's humility: we know so little, and that even if I have pretty convincing evidence of all these hero-myths being related, correlation is not causation...

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

I was following up on a reference I came across to Plutarch, a part of which reads, "therefore death is sometimes accompanied by pains, sleep always by pleasure."

Is it a common belief that sleep is free of pain? It is not my experience: some of the worst pain I have experienced has been in dreams; for example, of being shot by a firearm.