sdi: Photograph of a geomantic house chart. (geomancy)

Acquisitio

Since I started working with geomancy, I have consistently found Acquisitio, the figure of abundance, to be the most inauspicious figure by a mile: always a signal of extreme stress. This has been a source of great confusion to me, since every textbook I've seen considers it to be, generally speaking, the most favorable figure of all.

Today I noticed Nigel Richmond's commentary on I Ching figure 28, "Excess," which says, "We recognize excess by the stress it creates: without stress excess is felt as abundance."

Oh. Well, then.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

Like many, I suppose, my first experience with divination was the Tarot, probably a decade ago by now. I learned from it that particular oracles don't work for everyone—even now, I struggle to get almost anything from it, but I've had readings done for me which have shocked me with the detail that could be pulled from even a single card.

I met Geomancy back in 2019 by stumbling across Greer's books on the subject (which have issues but are the best available on the topic). It took maybe six months to get acceptable at it, and I still cast a chart every day, month, and year, since no other oracle does so well at giving me a bird's eye view of a situation. Its main downside is that it is so abstract and impersonal, which makes it difficult to pull out a course of action from it. I used to use it for specific inquiries, too, but it has lately been supplanted at these by other oracles.

I have been playing with the I Ching seriously for about eight months. True to its name, I have found it to really excel for trying to understand how a situation will evolve, and consequently for what strategy to adopt: not so much "should I do X?" but more "given X, what should I expect?" The main difficulty I've had with it is the culture barrier: the I Ching is deeply concerned with material well-being and the correct ordering of society, and, erm, neither of those are of much interest to an ascetic hermit like me.

But around the same time as I picked up the I Ching, I came across a couple ancient Greek oracles. Both are described in John Opsopaus's The Oracles of Homer and the Bones (which is how I discovered them), though—you know me!—I've dug up and use the original source material for both as best I can.

The first of these is the Astragalomanteion ("Knucklebone Oracle"), which we've found inscribed on a number of columns dug up in various places in Asia Minor. The idea is that you roll five knucklebones (which act as four-sided dice), and look up an answer related to some divinity from the column. I have found this to be quick, simple, and excellent for questions of the "should I do X?" variety. Curiously, when I ask a question, the responding divinity is always related to the question at hand (e.g. a question about my house might be answered by Zeus Ktesios, "protector of the household"), and when the divinity is unexpected, this gives interesting nuance into unseen factors affecting what I want to do.

The second of these is the Homeromanteion ("Homer Oracle"), which we've dug up in a few ancient books of magic (there is a copy, for example, in the famous Greek Magical Papyri). The idea is that you roll three dice (of the normal, six-sided variety) and get as an answer a line from the Iliad or Odyssey. I would have thought that the context in the story matters, but at least for me, the text of the line itself has been paramount and what the line refers to in the story doesn't matter so much. It gives the feel of a line spoken directly from the divinity to answer your question; in that sense, it is like a Magic 8-Ball that is actually useful. It's a versatile oracle which can be used for many kinds of questions, but I find myself reaching for it when I don't really know exactly what I'm looking for; "what should I know about X?" is, I suppose, as good a way to put it as any.

All of these systems have their quirks, and, odd as they are, I have learned that "when in Rome, do as the Romans:" those quirks are there for a reason. In Geomancy, for example, one should never conduct a reading during a thunderstorm, since if you do, the answer won't be accurate. The Homeromanteion requires observance of lucky/unlucky days and the use of a specific prayer to Lukian Apollon before casting it, which is drawn (creatively) from the Iliad and Odyssey. I wanted to understand it better, so I spent way too long translating it for myself:

κλῦθι ἄναξ ὅς που Λυκίης ἐν πίονι δήμῳ
εἲς ἢ ἐνὶ Τροίῃ: δύνασαι δὲ σὺ πάντοσ' ἀκούειν
ἀνέρι κηδομένῳ, ὡς νῦν ἐμὲ κῆδος ἱκάνει·
καί μοι τοῦτ' ἀγόρευσον ἐτήτυμον, ὄφρ' ἐὺ εἰδῶ,
ὅττι μάλιστ' ἐθέλω καί μοι φίλον ἔπλετο θυμῷ.

Hear me, Lord, whether you are in the rich land of Lukia
or here in Troia, for you are able to listen in all directions
to a man in distress, as I am now:
tell me truly, so I may know well,
whatever I want most which has endeared itself to my heart.

The first three lines are from the Iliad XVI 514–6: Patroklos kills Sarpedon, captain of the Lukians; Sarpedon's injured lieutenant Glaukos prays to Apollon for healing and strength so that he might defend his captain's corpse. The fourth line is from the Odyssey I 174: Athenaie comes to the house of Odusseus in disguise; Odusseus's son, Telemakhos, asks the stranger who they are and why they have come. The last line is from the Odyssey XVIII 113, except that the sentence has been modified from the second-person ("you"/"your") to first-person ("I"/"my"): Odusseus returns home in disguise; the suitors welcome him with grand, empty words.

It is reasonable for the prayer to say "here in Troia," since the Neoplatonists, beloved of Apollon, considered Troia to be the material world (e.g. it is as far from home as Odusseus, the soul, could ever get).

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)


8: Unity. First line moves. When there is confidence in his ruler, accord is blameless. When there is sincerity filling a plain vessel, ultimately there will come other blessings.


[Socrates said to Euthydemus,] "Do you know that to the inquiry, 'How am I to please the gods?' the Delphic god replies, 'Follow the custom [νόμος] of the state;' and everywhere, I suppose, it is the custom that men propitiate the gods with sacrifices according to their power. How then can a man honor the gods more excellently and more devoutly than by doing as they themselves ordain? Only he must fall no whit short of his power. For when he does that, it is surely plain that he is not then honouring the gods. Therefore it is by coming no whit short of his power in honoring the gods that he is to look with confidence for the greatest blessing."

(Xenophon, Memorabilia IV iii.)


Alas, to live in such times that the νόμος ("habit, law") of the state is blood-sacrifice upon the altar of Avarice! Surely that is not what the god means, and perhaps this is what the myth of Osiris is talking about: without a societal example, one cannot please the gods the way they ordain, and one has to cast about in darkness for any means they can. Everyone doing so on their own does not promote societal unity, and so it prevents the expression of divinity (which is characterized by unity).

Still, as Socrates says, the god is honored by one doing their best. Even if the most one can offer is brackish water in a waterskin, if one offers it sincerely, they are without fault.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)


47: Oppression. Fifth nine moves.

To those who yearn for life, the great sacrifice is to die for an ideal.
To those who yearn for death, the great sacrifice is to live for an ideal.

A Third Way

Oct. 3rd, 2024 08:18 pm
sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

30: Clarity. [...]

Third nine moves. The setting sun shines as it goes down. The old either sing and beat their drums or else bewail their lot. Either way is ill-omened.

(The best attitude to cultivate at this time in your life is a general acceptance of fate. To totally lose yourself in the happiness of the moment is as bad as to bemoan the passing of time. Such folly of the mind and the emotions leads to a loss of inner freedom.)


Socrates, when condemned to death and thrown into prison, asked some one who was playing a song of the Greek poet Stesichorus with great skill, to teach him also to do that, while it was still in his power; and when the musician asked him of what use this skill could be to him, as he was to die the next day, he answered, "that I may know something more before I die."

(Ammianus Marcellinus, Roman History XXVIII iv §15. Stobaeus, Florilegium III xxix, tells a nearly identical story concerning a very elderly Solon, but there are no English translations of Stobaeus and, alas, my Greek isn't up to it yet.)


I received the above I Ching reading (30–3) today. I couldn't imagine what it referred to until I found myself telling somebody the above little story. It is why I study philosophy so assiduously: life has been very difficult and I haven't managed to figure out how it might be enjoyed, but I have managed to develop the skill of study, and I hope that my use of it makes a satisfactory offering to Divinity.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

In addition to my usual, daily geomancy readings, I've also been casting daily I Ching readings so as to gain experience with the oracle. Today, I am very frustrated with the shape of society—buying a house is an exhausting and stressful experience by design, and navigating the process with integrity is difficult (and expensive). Today's I Ching result speaks to this:

23: Peeling or Splitting. There is nothing to be gained by moving anywhere.

[...] The top trigram is Ken, the mountain, and the lower trigram is K'un, the earth. The mountain will eventually collapse since the earth is not strong enough to support it, just as the top line of the Po hexagram will disintegrate because of the weak yin lines. The world is in the grip of evil and it is a bad time for honest people. It is not wise to try to overthrow the evil ones at this time. Bide your time and let evil run its course. Use this time to plan for the future. [emphasis mine]

I thought I would post it since the situation described sounds like Western society generally these days, and the advice offered appears to me to be generally applicable.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

My first deep dive into spirituality came fourteen years ago or so when I stumbled across Stephen Mitchell's translation of the Tao Te Ching in a bookstore. This was a balm for the injuries sustained in my abusive, fundamentalist upbringing, and I spent the next few years studying Taoism as deeply as I could. For some reason, even though I read quite a bit, I never came around to studying the I Ching—I just wasn't ready for it, I guess, since it took most of a decade for me to open up enough to take up the tarot (which didn't work out very well) and geomancy (which did).

The I Ching has just sorta been sitting there in the background, quietly waiting for me. My family is presently in the middle of moving to Colorado, and my copy of the I Ching is stuffed away in a box somewhere, so I figured it wasn't the time to try taking up anything new... but I suppose there's something in the air, here, since when we visited here last autumn, I was led to a Taoist Feng Shui book; and just yesterday a copy of The Fortune Teller's I Ching jumped out at me at the local library's annual book sale. I took this as a hint that I should go ahead and play with it: not really for anything serious, since I can use geomancy for important questions, but more as an avenue for exploring Taoism more deeply once again.

So I thought I'd start putting the oracle through it's paces by asking the obvious question: "How can I expect my study of the I Ching to proceed?"

45: To Collect. Success. The king approaches the temple. It is good to see the great man. There will be success. It is good to behave properly. The use of large offerings brings good fortune. To move forward in any direction will also bring good fortune.

Top six moves. He sighs and weeps floods of tears. There will be no mistakes.

I am disciplined, I am committed to the work, and the path before me is easy. I will have success, but what comes easily doesn't last.

Do you know the story of the man who lost his horse? It's an old and famous parable from the Huainanzi, written a bit over two millennia ago. It's about a farmer who has various things happen to him, and the apparently good things turn out to be bad, and the apparently bad things turn out to be good. He simply does his best in the moment, and is successful in a way, since he never suffers any harm... but, on the other hand, neither does he see any material benefit from the "good" things that happen. His true success is the perspective he has to see through the illusion of each occurrence. This reading feels a bit like that to me: what success is to be found is abstract, rather than concrete. Studying geomancy required a lot of effort, and granted rewards commensurate with that effort; but since I've already put in all that work, studying the I Ching will go much easier but not really move the needle in my life, since I already have the tools I need.

Still, though, it's fun. Why not play a game with my angel?