sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

Okay, so while I just revised Enneads I iv, it seems I might as well revise the joke that went with it. Perhaps you recall how I was tired after work, but since I'm a burning-the-candle-at-both-ends kind of person, forged ahead to study this particular essay, but a bird flew overhead and pooped on the page I was reading, an obvious omen to just give it a rest already.

My daughter was asking me about my angel today, as I mentioned how they have a very playful personality. She asked for examples, and so I told her a number of my angel stories. I got to this one, and while she was laughing about it, I was telling her how that page of the Enneads is still kinda messed up since of course I had to wash the poop off. She fetched the book from the shelf and asked me to show her which page it was, so I turned to the beginning of Enneads I iv and pointed to the worn-out section near the top of the page.

As I did so, I realized that I had missed the joke's punch line!

See, in the edition of the Enneads I was reading, the essay on True Happiness starts halfway down the page; the top half of the page is the last part of the prior essay on Dialectic. Here is the relevant section, with where the poop landed (which is now half-erased from being scrubbed clean) highlighted:

And while the other virtues bring the reason to bear upon particular experiences and acts, the virtue of Wisdom [...] is a certain super-reasoning much closer to the Universal; for it deals with correspondence and sequence, the choice of time for action and inaction, the adoption of this course, the rejection of that other [...].

The bird didn't just poop on my book, it literally pointed out that it would have been wise for me to rest. Lorna Byrne says somewhere that "angels find it easier to move minds than physical objects," but it seems to me that they're plenty capable of fine movements when need be...

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

Normally, I keep a very orderly and focused mind; but as my health has declined, this has become more and more difficult to do: it is as if my grip on the leash has weakened, and the dog readily slips my grasp and runs off, and I have to chase it down and catch it again. In just that way, I was out for a prayer walk, and the dog had just slipped my grasp again and, rather than praying, I found myself musing, "but Hesiod says that the angels are the firstborn of the gods, which..." Just as I caught myself pondering rather than praying, I tripped over, you guessed it, a tiny, white feather.

I suppose I should be less hard on myself and my poor mind.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

The sunflowers are wilted and geomancy gave the go-ahead, so it's finally time to go outside again. And, indeed, while my skin flared up I can breathe okay.

I was walking randomly around the neighborhood when my angel said, "Follow me, I want to show you something!" I laughed: I'm not clairvoyant, and can only hear Them, so following would be impossible—though I had a vague sense of presence bounding along merrily before me, it was nothing strong enough that I could follow. It worked out fine, though, since They gave me directions. "Turn left here!" "Go straight through this intersection." "Turn into the alleyway." That kind of thing continued for a few blocks.

Eventually, my angel said, "Ta da! Here we are!" I looked around but didn't see anything interesting—it was simply an unremarkable part of the neighborhood. "What did you want to show me?" The only response I got was a sense of playful mischief.

I took a step back and—oh! Turns out I was standing on top of a tiny, white feather. My angel beamed.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

Summer lockdown season is always dispiriting, but Providence is still to be found. Just before being cooped up, I began to find dozen of feathers, and very pretty ones, too—like iridescent blue jay and striped hawk. Even now, when I am unable to leave the house, my angel still finds ways to deliver gifts to me: today, I find a chicken feather hidden beneath an egg in the egg carton—a very unusual occurrence in these days, when farms wash their eggs before packing them.

Also, rather than the single sunflower keeping me company last year, this year we have dozens. Nine are blooming right now.

Small things, but they help. May you find the good fortune and providence of your angels today, too.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

I am feeling very dispirited today, and have had a lot of difficulty pushing myself to get up and do anything. I finally got myself together enough to go out for a little walk and do my prayers, and when I had gotten outside, I took a deep breath and felt the sunshine on my face. A house sparrow flew over and landed right in front of me, carrying a down feather in its beak. It laid the feather gently at my feet, hopped a few steps back, and regarded me for a moment. I said, "thank you," and it nodded and flew away.

sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

I'm presently reading Angels at my Fingertips by Christian mystic Lorna Byrne—it's light, much easier than Plotinus, and I tend to only have a few minutes here or there right now. She talks about how angels often give gifts of feathers in unusual places to people who need hope:

I have seen angels give people feathers all of the time. It is one of the many signs that angels give us when we need hope in our life[. ...]

The angels work really hard, giving us signs, and it's not easy for them. They use the feathers of the birds of the air, so birds have to play their part too. They tend to use feathers because they are light. Angels find it easier to move minds than physical objects. I have described physical manifestations of angels in my books—knocking on doors or windows or causing winds to blow—but they are quite rare.

Most of the time when you ask for the sign of a feather you will find it in an unusual place, somewhere you are not expecting to find a feather. [...] We are just so slow, even myself at times, to recognise the signs the angels give us. We pass them by.

I had just put a bookmark in my book and got up to clean the kitchen from making breakfast. I was pondering what I had read—I see feathers often, albeit not usually in strange places, and never think of them even a little, perhaps because my parents always told me that they were dirty and that I should leave them alone or else I would get sick—and as I walked into my study in to put the book back on the shelf, what do I see but a feather sitting in the middle of the floor. How on earth did it get there? I'd just cleaned the floor yesterday, and I'd been through the study half a dozen times today already and hadn't seen it, and it's not as if our floor is littered with feathers...

I wasn't much in need of a sign, but I'm reminded of a Sufi saying, that you should "take what is voluntarily offered: it is the daily bread which God sends to you. Do not refuse God's gift!" How literal that is, today!

On Yellow

Jul. 4th, 2022 08:44 am
sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

My brain has been much too shot to dig very far into Plotinus lately, so I've been reading some lighter material. Yesterday, I finished P. M. H. Atwater's Beyond the Light: The Mysteries and Revelations of Near-Death Experiences. I'm never sure how seriously to take this stuff, as it's so heavily colored by Evangelical Christianity and New Ageism (neither of which I have much respect for, I'm afraid), but one thing stuck out to me of unusual interest.

Atwater's thesis is that near-death experiences are simply one of many kinds of spiritual awakening, just like more "standard" mystical experiences or those brought on by rigorous training or austerities, and that they exhibit the same range of symbolic communication. And as an example of a symbol, she offers the color yellow:

For those near-death survivors who could recall, the first color encountered during their experience was usually either yellow or yellow-gold. Some described it as just plain gold. Others saw it as more of a yellow-white, gold-white, or radiant white. Invariably, survivors commented on how different that color or light seemed; bright, and yet somehow easy on the eyes and not at all like the yellow-gold tones of the earth. [...]

People who are learning how to have an out-of-body-experience go through basically the same range of color hues in the initial manner as do near-death experiencers. Their first awareness of sight is usually as if through a yellow screen or filter. Yellowish colorations often continue until full separation between consciousness and body connections are made, then colored vision is restored. The more advanced the individual, the less yellow tinge to what they see. (For ten years I taught people how to "astral travel." The yellow filtering occurred so often, that I came to depend on it as a signal that some type of genuine separation was taking place.) [...]

In the language of symbology, yellow is considered a cross-over color—the harbinger of change. Tradition has it, for instance, that the sudden preference for yellow signifies that a person's life is about to change, that new, exciting times are ahead, with increased energy, enthusiasm, and upliftment. Yellow has always been thought of as a revitalizing tonic, a sign of spring, vigor, cheerfulness, new birth.

The reason this is interesting to me is that both of the two "transcendental" experiences I've had came with the sense of seeing the world through a gold-colored filter. In fact, the second of these is memorialized very simply in my diary:

29 Sep 2011
everything is glowing gold

The memory of that experience is very, very dim these days, but if I remember aright, I was going through a period of unbearable stress and was walking to work across town on a damp, overcast morning. While walking, I was watching one of those little streams that form after a rainstorm on the sides of roads, running down the street and pooling here and there in little, foamy ponds. I was watching one of these when, suddenly, a "switch" flipped in me and everything—the puddle, the clouds, the trees, people, buildings, everything—seemed to glow from within with golden light. I had the sense of joy and peace and of simply knowing that all these glowing things were connected, beautiful, and perfect and right just the way they were. (In fact, this was a source of some hilarity to me: I lived and worked in the rust belt, and the town was a literally crumbling old industrial city, as ugly as can be—and yet here it was, ugly and indescribably beautiful at the same time!) The color and glow and sense continued for about thirty-six hours as I went through my normal workaday routine, slowly fading over that time.

Strangely, after the experience faded, nothing seemed changed; and while I kept on meditating and studying, other than an odd experience or two, everything stayed the same as ever until 2019, when I bumped into geomancy during another period of unbearable stress, which opened the door to a proper spiritual life.

An Omen

Apr. 26th, 2022 04:47 pm
sdi: Oil painting of the Heliconian Muse whispering inspiration to Hesiod. (Default)

It's after work, and my wife and daughter are out at a play-date, so I figure I might as well take a crack at the next tractate of the Enneads. I'm tired from work, and maybe it'd be better if I just rested instead, but...

So I go out to the hammock in the backyard and lie down, open the Enneads to I 4, and start reading, and I get maybe a couple sentences in when—plop!—a bird swoops over and poops right on the page I'm reading.

Okay, okay, I'll go find something fun to do.

sdi: Photograph of a geomantic house chart. (geomancy)

Let me excerpt an entry from my diary, dated Mar 2011:

While walking by my house today, there was a little leaf devil swirling in the road. I stepped past it, and it began to follow me, darting forward and back, playfully nipping at my heels. It spent ten minutes or so with me in this manner, all the way down the street: I leading, and it chasing. When I finally reached the end of the way and turned onto a side road to continue my walk, the leaf devil balked for a moment, spun in place, and finally whirled itself apart now that the game was over.

When I see such things with my own eyes, it is very difficult not to believe in magic.

I had completely forgotten about this lovely little incident, but was reminded of it by today's chapter of Sallustius, which speaks of circular motion being the imitation of Mind and linear motion being the imitation of Soul. We think very little of plain, old wind—but, for some reason, when the wind moves in circles, it seems intelligent, as my diary indicates!

So reminded, I thought I might ask if there was intelligence behind it, after all.

I'm Laetitia in the I, a figure of inspiration. The prospective spirit is Conjunctio in the VIII, the figure of forces coming together—and, I might note, a figure of Mercury, lord of intellect. Perfection exists through the translation (resolution by a third party, here Sallustius) of Fortuna Major (of success after long and patient effort) rejoicing in the IX (of philosophy) and in the XII (of blind spots). As a figure of the Sun, it's almost as if He's shedding light on the situation, and I would certainly say that taking ten years to make sense of an experience qualifies as long and patient effort!

The court takes a step back and looks at the bigger picture. At the time, I (Rubeus RW) was full of confusion and turmoil—I was just beginning, then, to take my first steps back into spirituality after harsh treatment at the hands of Christianity and materialism, both. This was soon to end (Cauda Draconis LW), but for the time being I was at a loss about the nature of the world (Amissio IV and J).

Puer in the III and XI seems to be my deity, winking and saying, "see how far I have led you?"

sdi: Photograph of a geomantic house chart. (geomancy)

I tend to spend a lot of time in prayer each day. I've been pretty sick for the last couple months, but I was feeling strong enough today that I decided to get out for a walk while I did my prayers today. About halfway in, a few dogs streamed in from all over the neighborhood I was in and started following me as if I was the Pied Piper of Hameln. I went on praying and as I wound down, the dogs trailed off one at a time until I was left alone by the time I reached home again.

What a strange experience! I've never had that happened before, and I wondered if there was a connection to my prayers, or if there was a more mundane explanation.

I'm passionate Rubeus in the first. Normally, this is a pretty bad sign, as it's an indicator that one isn't thinking clearly, or is even engaged in self-deception. In this case, though, I think it's simply showing that I was completely consumed in prayer, or perhaps, since Rubeus also occupies the fourth house (of private things), it indicates that my assumption that my prayers are private is quite mistaken! The quesited is shining Laetitia in the ninth house and occupying the third, indicating that yes, my prayers were in fact shining like a beacon for the neighborhood to see.

These perfect in three ways (which act as emphasis):

  1. Through the translation of Fortuna Minor in the second and tenth, indicating the intensity of my prayer.
  2. Through the translation of Populus in the eighth and twelfth, indicating receptive spiritual pathways.
  3. Through the mutation of Laetitia and Rubeus in the third and fourth, indicating the unexpected or surprising nature of the connection.

The dogs, as it happens, are masculine Puer in the sixth. (The largest dog, who was closest to me, was male, at least!) It is interesting that perfection also exists between me and the dogs, and between my prayer practice and the dogs, all facilitated through translations of receptive Populus.

I'm not clairvoyant, but this makes me wonder what the world looks like to one who is.

sdi: Photograph of a geomantic house chart. (geomancy)

A bit over a month ago, I had a strange dream.

I was walking through a forested campsite, the kind you see in state parks all over New York. It was getting on towards evening. As I walked past a picnic table, I noticed it had what appeared to be a typeset page torn from an encyclopedia on it. I picked it up, and read, Benevolent and malevolent beings come into existence in pairs, and so every benevolent spirit has it's matching malevolent spirit, and vice versa. If one finds oneself so afflicted by a malevolent spirit, if one reaches out to its matching benevolent spirit, the two will recombine and cease to be. Suddenly, night fell, and I heard a howl. I started running, and sure enough I was soon being chased by a wolflike creature: I couldn't see it, but I could hear its heavy paws on the dirt, feel its hot breath on my back. Thinking of the page, I mentally called out to the wolf's mirror-being and poof!—the wolf disappeared and I awoke.

Now, to be clear, the encyclopedia entry is just science fiction: spirits don't appear and disappear like sentient particles and anti-particles. (At least, I'm pretty sure they don't: it fits with no metaphysics of which I'm aware, and anyway my divinations on the topic have all said it's just dream-logic.) But the basic idea of reaching out to a benevolent being to counter a malevolent one stuck with me. Different kinds of beings exist at different levels of consciousness: the states of love, hope, joy, and so on mix with the states of fear, uncertainty, doubt, and so on about as well as oil and water. If you can raise your consciousness, beings of lower states can't touch you.

"Raising one's state of consciousness" isn't exactly an easy thing to do, but as a mystic, it's something I've been practicing for nearly a decade now. I can't say how, exactly, it works, but I know what it feels like and it's something I regularly practice during prayer. (If I'm honest, I'm certain my deity's doing most of the work, pulling me up much like I hoist my daughter onto my shoulders. Even so, it's an exhausting state to maintain for long!)

Anyway, I wrote this all down in my diary, figured it was interesting if abstract, and filed it away. I didn't think I'd ever have occasion to give it a try—but so I did!

Last night, I got up in the middle of the night last night to go to the bathroom, and when I came back into the bedroom, I had a feeling of something terrible watching me from the closet. The door was open, which was a little odd since I keep it closed, so I went over to close the door and I felt something of a horrible malice leering out at me from the darkness. I could almost see hungry eyes peering at me, long limbs hunched as if ready to pounce. I closed the door—this took some effort as my every reaction was to "get away"—and got back into bed. It wasn't long before I felt the malevolent energy stalking over to the bed from the closet.

I remembered the dream I had, and the theorizing I had done around it, so I immediately began to pray and trying to raise my mental state to where it is when I meet my deity. This got quite a response: my deity said, Hang on, and waves of rage poured from the whatever-it-was, and I felt—literally felt, with my physical senses and not my spiritual ones—a violent and bitter tempest rage around me, but I felt safe and serene in the eye of the storm. It took effort to keep my mind focused on love and not fear—I'm naturally a very fearful person—but I held on to the mental state as best I could. After a minute or two, the wind subsided and the rage stalked away. As it did, I heard my deity say, Good. Remember that trick, and I drifted back to sleep.

What's further interesting is that this whole thing was presaged in my daily geomantic reading:

Notice the Rubeus (malice) in the eighth (spirits) and eleventh (benefactors), crossed with Acquisitio (plenty) in the ninth (dreams, specialized knowledge) and right witness (me). I've seen "crossings" like that a few times, and they usually seem to indicate a contest of sorts. I have a number of examples among my notes; someday when I have more time, I'll need to go back over them and see if I can pull a theory together about them.

Anyway, this was a very strange experience to me. Prior to this, every spirit I've encountered has either been at best quite friendly, or at worst playfully neutral. It just goes to show, there really are monsters out there, and yes, sometimes they creep out of closets.

sdi: Photograph of a geomantic house chart. (geomancy)

Back in 2012, my wife was working as a live-in nanny and we lived in a one-room studio apartment off of her employer's house. This was out in the country, amidst woods, farms, and estates. It was a Friday evening in September, and after a long work week I was interested in some quiet conversation with my wife, but she was intent on watching a movie. Movies cause me anxiety and I found the noise of it unbearable, and with no place to escape to in the apartment, I went for a long walk. It was a waning quarter moon with crystal-clear skies, so easily bright enough to see by. After an hour or two, I started to hear music: very faintly at first, but louder as I continued. It was a flute, beautifully playing some classical piece that I did not recognize. I thought this strange and interesting, so I followed the song down the road until I realized that it seemed to be coming from the woods. I stepped off the road and after a few minutes followed the music to its apparent source: a fairy-ring. I walked around it and the music seemed to be coming from, and not beyond, the fairy-ring! I listened to the music for a few minutes longer, and considered the ring curiously; but even a person as stupid as myself knows better than to step into a fairy-ring under such circumstances, and I was starting to get a bit alarmed, so I turned back and hurried home. I swear the music followed me for perhaps a quarter-mile before giving up and fading into the distance. I have always wondered what might have become of me, had I stepped within the ring!

For context, let me note that I was convinced there was no supernatural element to this story at all: there were several ritzy country estates in the area I lived, and I figured that one of them must have been having a party that night. Perhaps I had even had a drink or two before going for my walk—I can't remember! But, this little journal has a lot of affirmative geomancy examples, and I figured I would include this as a negative one. So imagine my surprise to see that it perfects, and strongly!

I'm represented by tense Cauda Draconis in the I. (This is also a traditional indicator that I'm already full of my own preconceptions.) Spirits generally are represented by Populus in the VIII, indicative of a crowd or gathering. This chart perfects in three ways: a conjunction from the I to VII (indicating that I stumbled into meeting them), a mutation between the II and VII greatly strengthened by company simple between the I and II (indicating that a third party—an advisor, very closely aligned with me, and also a partner—had a plan to make this happen and took an active role in doing so), and a mutation between the XII and VII (indicating that a second third party—a limiting or restricting factor and also a partner—was being disruptive to me and also took an active role in events). I take these to be my guardian angel (with whom I am now close) and my wife (who, on this night, was certainly frustrating me!), respectively. Populus also occupies the IX, hinting that the spirits in question were from a faraway place: given the general similarity to some stories of the Celtic Otherworld, I wonder if these were fairies. As a cute aside, Rubeus in the IV speaks to the disruption I felt at home, while Albus in the III speaks to the peace and solitude I found on my walk.

The court is straightforward: I (RW) wanted companionship (Conjunctio), but external factors (LW) pushed me to go for a walk instead (Via), resulting (J) in my needing and getting some space (Carcer), having the personal effect (S) of widening my horizons (Caput Draconis).

sdi: Photograph of a geomantic house chart. (geomancy)

The first spiritual event I can remember happened just after I started college. I was working for one of the departments and was asked to deliver a package to a destination around half a mile away. It was October and the weather had just begun to turn cold, and on this particular day it was extremely windy, and since I had just "left the nest" and was on my own for the first time, I was awfully underprepared for the weather (and many other things). So I had set out and was buffeted by the severe winds, so strong I could barely walk, and so cold that I was chilled to the bone. Normally I could make this walk in ten minutes, but with the wind it was taking me three times that. When I was halfway to my destination, I was stressed enough that I called out (to nobody in particular), "Would you please just give it a rest!?" and immediately the wind stopped dead and was so calm that the leaves on the trees didn't even move. I was shocked! I sheepishly murmured, "Thanks," and continued my errand. The wind remained still until I had finished the delivery and returned: I opened the door and a massive blast of wind, as if to tease me, kicked me over the threshold. Ever since I turned my back on a materialist worldview some years ago, I have wondered if this was literally a spirit: now that I have the tools to find out, I figured I'd ask.

I'm quickly-fading Fortuna Minor in the I, while spirits generally are peaceful Albus in the VIII. The VIII perfects to the I through a conjunction in the II, indicating that yes, a spirit did come over and make themselves known. Albus also occupies the IV, hinting perhaps that the spirit was a local nature spirit. The reception of the I and VIII is Cauda Draconis: this figure indicates commitment to a predetermined course of action, suggesting I was bound to bump into the spiritual sooner or later. This story is mirrored in the court: my world (the RW) is materialistic Tristitia; the outside world (the LW) is Caput Draconis, the figure of wide horizons and many opportunities; thus, the overall situation (the J) is Conjunctio, the figure of contact.